With these Changes songs, you have to concentrate really hard (laughs).”Īsked if this melodic constraint could have resulted in music that was, say, thrash-y or folk-y, Walker answers with a chuckle, “definitely not.” Says Harwood, “It definitely goes different places, but to me, it sounds like pop with jazz theory. You can just kind of feel it and vibe off of each other. I’ve been loving playing those songs live, because you get into this zone where you don’t actually have to think that much. “With that, each song is one key, and it’s heavily improvised. “It’s almost the opposite of what we’ve been doing with Ice, Death…” group member Lucas Harwood adds. Not being as confident at that level of theory, you really have to be all in.” Just to re-enter those songs, going in cold, it’s really hard. It’s an interesting one, because every time I think about playing it, literally my brain hurts. This year, we finished it out on the road with some overdubs when we were in Europe. During the pandemic, we filled out the album a bit more and did some recording. They were put on the back-burner for a long time, until naturally Stu picked them up again. “We booked some studio time to record the songs, which were potentially going to be the fifth of the five-album year in 2017, but it just wasn’t quite there for various reasons - maybe our technical ability or ability to know when to stop or when it was done. “When Stu started to fiddle with these ideas, he was still trying to wrap his head around them, let alone us,” group member Joey Walker tells SPIN. Also Read King Gizzard and the Lizard Wizard Wraps Biggest North American Tour at Red Rocks
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